LabRec: Some Questions & Thoughts About Variations of a Blunt Object

Nervous Bench

View of an Exhibition space with a big canvas in the middle of the room hiding a big part of it behind it. In front of the canvas there is a black bench with a boy sitting on it and next to him a girl laying on its back, foots on the ground. Nadia Kaabi-Linke, Nervous Bench.

Sealed Time / Versiegelte Zeit

Visitors standing in between artworks in an exhibition space. A park bench covered with bird spikes, a crooked porcelain line on the ground and a big canvas on the wall. Nadia Kaabi-Linke, Versiegelte Zeit.

Haarrisse / Hairline Cracks

Haarrisse / Hairline Cracks, 2017, Detail of the work from Nadia Kaabi-Linke, inspired by Sigmar Polke, "Das Parfümbild", 1969/1972

Kula: Common Fuel 

Abstract black and white artwork featuring textured swirls and shapes, displayed on a white wall / Kula:Cuts, Nadia Kaabi-Linke 2017

LabRec: Past Understanding

Santa Margarita

A big canvas covered by a transfer print with ink on paper and oil, depicting words scratched into wall, with washed out red color in the infinity form. Nadia Kaabi-Linke, Santa Margarita.

Kula: Turning Back

Drawing of lignite on paper on canvas. Nadia Kaabi-Linke, Kula: Turning Back.

Gekochte Erde

Someone, only visible from the knees down, stepping over an uneven brown line laying on a wooden floor. Nadia Kaabi-Linke, Gekochte Erde.

Modulor III

Geometric art installation with a gray panel, rectangular gold outlines, and a doorway in the center, positioned in a white-walled gallery room with wooden flooring. Nadia Kaabi-Linke, Versiegelte Zeit.

Bonner Mythologien

Bonner Mythologien, 2017, Installation view at 'versiegelte Zeit/Sealed Time' Kunstmuseum Bonn, Nadia Kaabi-Linke

Kula: Black Dove

A pattern of lignite on paper on canvas. Nadia Kaabi-Linke, Kula: Black Dove.

Black is the New White: The 2nd Interview