Bait Al Nur / بيت النور

A public art installation working with the theme of the changing shadow as a universal connecting power. Gothic is a signature of Occidental buildings; Islamic geometry is the ratio of Oriental architecture. Nadia Kaabi-Linke Bait Al Nur / بيت النور

Crashed Memories Twenty-Eleven

Damaged photograph of people by the sea. Nadia Kaabi Linke Crashed Memories Twenty-Eleven

Dammi

Keffieh pattern with blood on pater. Process image of the making of a water color drawing with blood. Nadia Kaabi-Linke Dammi

Kaf w Kaaba Halwa or How to Meddle in Someone’s Life

A white, wooden gate, that was once the entrance to the Hotel Megara Gammarth, is now holding the poster about an exhibition. Nadia Kaabi-Linke Kaf w Kaaba Halwa, ONS

Disarmed Metaphysical Objects

In a room there are several black pedestals on which objects lie behind a glass display case. Nadia Kaabi-Linke Disarmed Metaphysical Objects

Lahmi (My Flesh)

Close up of a sculpture made of Steel, glass, lead, in the form of the main windows of the Tunisian parliament. The glass is broken from multiple bullets. Nadia Kaabi-Linke Lahmi

ONS

A red tennis court with a net, set in an empty swimming pool and a lifeguard chair, surrounded by greenery and a clear blue sky. Nadia Kaabi-Linke ONS

Seeing Without Light

Black squares hanging on the walls of an exhibition space, in the background, another room, with a big pink painting. Nadia Kaabi-Linke Seeing Without Light

Bud’mo

A dark Room with video projection of threes and branches against the sky. In the back a person standing in the entryway. Nadia Kaabi-Linke Bud'mo

Die Alte Mauer

An exhibition space featuring a large, angular white structure positioned centrally, creating two narrow passageways on either side. A red and yellow industrial lifting device hangs from the ceiling, suspended a scale one part salt one part sand. Recessed ceiling lights evenly illuminate the minimalist room, and a glimpse of another installation with vertical hanging strings is visible through the left passage. Nadia Kaabi-Linke, Die Alte Mauer.

Blindstrom for Kazimir

Black panels on walls in a white gallery. Nadia Kaabi-Linke, Blindstrom for Kazimir.

Kula: Cuts

Exhibition view of a painting made with coal grains, Kula:Cuts, Hamburger Bahnhof, Berlin, 2023, Nadia Kaabi-Linke

MO_Schaufenster #34:
Nadia Kaabi-Linke

Nadia Kaabi-Linke, Das Kapital, 2020 (Detail)

Squeezed in Infinity II

Close up of an artwork, pictures with a slightly changing black and white image aligned close to each other ( Close Up) / Squeezed in Infinity II, 2023, Nadia Kaabi-Linke, Series of 514 photographs

Heaven and Hell

A woman photographed from behind, standing in a large white exhibition room, a large floor construction reflected on the ceiling. Nadia Kaabi-Linke, Heaven and Hell.

Squeezed in Infinity

A woman photographed from behind, standing in a large white exhibition room, a large floor construction reflected on the ceiling. Nadia Kaabi-Linke, Heaven and Hell.

Ad Astra

View of trough a glass ceiling, allowing to see all the cables and ventilation pipes of the building. Strategically placed mirrors create an infinite space. Nadia Kaabi-Linke, Ad Astra.

A Shadow of a Shadow of a…

Oriental pattern sacred geometry, laser cut in MDF board. Nadia Kaabi-Linke, A Shadow of a Shadow of a…

Amina‘s Tears

Detail of glass windows with the shadow of a maschrabiyya pattern, framed by a dark wood. Nadia Kaabi-Linke, Amina's Tears.