Mushroom

Mushroom, 2024, Detail view at the 10th Biennale Gherdëina, The Parliament of Marmots, Nadia Kaabi-Linke

Kaf w Kaaba Halwa or How to Meddle in Someone’s Life

A white, wooden gate, that was once the entrance to the Hotel Megara Gammarth, is now holding the poster about an exhibition. Nadia Kaabi-Linke Kaf w Kaaba Halwa, ONS

ONS

A red tennis court with a net, set in an empty swimming pool and a lifeguard chair, surrounded by greenery and a clear blue sky. Nadia Kaabi-Linke ONS

Seeing Without Light

Black squares hanging on the walls of an exhibition space, in the background, another room, with a big pink painting. Nadia Kaabi-Linke Seeing Without Light

Die Alte Mauer

An exhibition space featuring a large, angular white structure positioned centrally, creating two narrow passageways on either side. A red and yellow industrial lifting device hangs from the ceiling, suspended a scale one part salt one part sand. Recessed ceiling lights evenly illuminate the minimalist room, and a glimpse of another installation with vertical hanging strings is visible through the left passage. Nadia Kaabi-Linke, Die Alte Mauer.

Mumble of the Homecoming Oak

An oak tree stands in a dark room, illuminated only by a few rays of light streaming through the windows. Nadia Kaabi-Linke, Mumble of the Homecoming Oak.

Sealed Time / Versiegelte Zeit

Visitors standing in between artworks in an exhibition space. A park bench covered with bird spikes, a crooked porcelain line on the ground and a big canvas on the wall. Nadia Kaabi-Linke, Versiegelte Zeit.

Haarrisse / Hairline Cracks

Haarrisse / Hairline Cracks, 2017, Detail of the work from Nadia Kaabi-Linke, inspired by Sigmar Polke, "Das Parfümbild", 1969/1972