We Didn’t Know We’re Ready

White and bright gallery space with industrial ceiling and various artworks. Nadia Kaabi-Linke We Didn’t Know We’re Ready

Seeing Without Light

Black squares hanging on the walls of an exhibition space, in the background, another room, with a big pink painting. Nadia Kaabi-Linke Seeing Without Light

Squeezed in Infinity I

Lines are reflected within a glass cube filled with water. Nadia Kaabi-Linke, Squeezed in Infinity I.

Sealed Time / Versiegelte Zeit

Visitors standing in between artworks in an exhibition space. A park bench covered with bird spikes, a crooked porcelain line on the ground and a big canvas on the wall. Nadia Kaabi-Linke, Versiegelte Zeit.

Gekochte Erde

Someone, only visible from the knees down, stepping over an uneven brown line laying on a wooden floor. Nadia Kaabi-Linke, Gekochte Erde.

Salt and Sand

A vintage balance scale with two shallow bowls: one with light brown sand and the other with salt, hanging from chains. / Salt and Sand, Exhibition view, Seeing without Light, Hamburger Bahnhof, Berlin, 2023, Nadia Kaabi-Linke

No One Harms Me Unpunished

A battered mattress completely intertwined with thistle flowers, laying on a black industrial floor, symbolizing resistance against oppression and overlooked abuse. Nadia Kaabi-Linke, No One Harms Me Unpunished.

Tunisian Americans

The artist Nadia Kaabi-Linke sits infront of a gravestone, a white cross, in the North Africa American Cemetery and Memorial in Tunisia, to copy the engravings onto a small flacon/ Tunisian Americans, 2012. Artwork by Nadia Kaabi-Linke

Smooth Criminal

A dome-shaped wire mesh sculpture placed under a spotlight in an otherwise dark room. Nadia Kaabi-Linke Smooth Criminal

Bugs

Wall sculpture that is comprised of a white shelf set at a tilt, crawling with glass reproductions of Scarabaeus sacer. Nadia Kaabi-Linke , Bugs.

Butcher Bliss

Fragile plaster casts hang like meat at the butcher's on a white wall.