We Didn’t Know We’re Ready

White and bright gallery space with industrial ceiling and various artworks. Nadia Kaabi-Linke We Didn’t Know We’re Ready

Phoenix

Nadia Kaabi-Linke Phoenix, Isolated installation view of a multiple canvasses painting with transfer prints of a damaged stone wall on a wall.

Ascending Cycles

Nadia Kaabi-Linke's Ascending Cycles Exhibtion, view from the street

Cube

A white box placed in a dark room. Inside the heavily lit Box, the artist Nadia Kabbi-Linke sitting on a chair holding a bunch of papers.

One Olive Tree Garden

Panels with a cross-section of an olive tree inlaid in concrete-like material, in an exhibition space. Nadia Kaabi-Linke One Olive Tree Garden

“Walk the Line” (CMS)

Blue threads. Nadia Kaabi-Linke Walk the Line (CMS)

Mushroom

Mushroom, 2024, Detail view at the 10th Biennale Gherdëina, The Parliament of Marmots, Nadia Kaabi-Linke

Bait Al Nur / بيت النور

A public art installation working with the theme of the changing shadow as a universal connecting power. Gothic is a signature of Occidental buildings; Islamic geometry is the ratio of Oriental architecture. Nadia Kaabi-Linke Bait Al Nur / بيت النور

Kaf w Kaaba Halwa or How to Meddle in Someone’s Life

A white, wooden gate, that was once the entrance to the Hotel Megara Gammarth, is now holding the poster about an exhibition. Nadia Kaabi-Linke Kaf w Kaaba Halwa, ONS

Seeing Without Light

Black squares hanging on the walls of an exhibition space, in the background, another room, with a big pink painting. Nadia Kaabi-Linke Seeing Without Light

Die Alte Mauer

An exhibition space featuring a large, angular white structure positioned centrally, creating two narrow passageways on either side. A red and yellow industrial lifting device hangs from the ceiling, suspended a scale one part salt one part sand. Recessed ceiling lights evenly illuminate the minimalist room, and a glimpse of another installation with vertical hanging strings is visible through the left passage. Nadia Kaabi-Linke, Die Alte Mauer.

Blindstrom for Kazimir

Black panels on walls in a white gallery. Nadia Kaabi-Linke, Blindstrom for Kazimir.

MO_Schaufenster #34:
Nadia Kaabi-Linke

Nadia Kaabi-Linke, Das Kapital, 2020 (Detail)

Heaven and Hell

A woman photographed from behind, standing in a large white exhibition room, a large floor construction reflected on the ceiling. Nadia Kaabi-Linke, Heaven and Hell.

Squeezed in Infinity

A woman photographed from behind, standing in a large white exhibition room, a large floor construction reflected on the ceiling. Nadia Kaabi-Linke, Heaven and Hell.

Ad Astra

View of trough a glass ceiling, allowing to see all the cables and ventilation pipes of the building. Strategically placed mirrors create an infinite space. Nadia Kaabi-Linke, Ad Astra.

A Shadow of a Shadow of a…

Oriental pattern sacred geometry, laser cut in MDF board. Nadia Kaabi-Linke, A Shadow of a Shadow of a…

Mumble of the Homecoming Oak

An oak tree stands in a dark room, illuminated only by a few rays of light streaming through the windows. Nadia Kaabi-Linke, Mumble of the Homecoming Oak.

One Day On Two Orbits

View from the top onto a square whit plants and a public artwork set in the ground, it shows the shadows of a bike during on day. Nadia Kaabi-Linke, One Day on Two Orbits.

Inner Circle

In a public space, benches are placed to create a circle. The benches are covered in bird spices. Nadia Kaabi-Linke, Inner Circle.

Modulor IV

Exhibition space with gold lines crossing a brown mdf panel. The lines go all the way up the white wall. Creating multiple different sized squares. Nadia Kaabi-Linke, Modulor I.

Das Kapital—Epilogue

In an exhibition space a Detail of a cast iron gate is standing in between a pile of stones. Nadia Kaabi-Linke, Das Kapital – Epilogue.

A Matter of Resilience

Metal remains hang together with a thin red ribbon. Nadia Kaabi-Linke, Das Kapital – Epilogue.

Remont / Ремонт

A big industrial space covered in cobblestones. on the wall the negative spaces of the cobblestones on the floor. Nadia Kaabi-Linke, Remont / Ремонт.

Mistake Out – Friedrichstadt

Hundreds of individual mosaic pieces to mark the imprints of bullet holes on a wall in Berlin’s Friedrichstadt neighborhood, Nadia Kaabi-Linke at Jane Lombard Gallery, New York, 2018

Sealed Time / Versiegelte Zeit

Visitors standing in between artworks in an exhibition space. A park bench covered with bird spikes, a crooked porcelain line on the ground and a big canvas on the wall. Nadia Kaabi-Linke, Versiegelte Zeit.

Modulor III

Geometric art installation with a gray panel, rectangular gold outlines, and a doorway in the center, positioned in a white-walled gallery room with wooden flooring. Nadia Kaabi-Linke, Versiegelte Zeit.

“Walk the Line”

A person walks along two columns holding a vibrant, multicolored thread, showcasing a blend of orange, pink, and blue hues. Nadia Kaabi-Linke, "Walk the Line".

Walk The Line

Nadia Kaabi-Linke, Walk The Line.

Modulor II

View of an exhibition space, whit walls and wooden floor. The wall in the back has thin brass lines that continue on the floor, creating different sized squares. Nadia Kaabi-Linke, Modulor II.

Black is the New White

Nadia Kaabi-Linke, Black is the New White.

All Along the Watchtower

Painted shadow of a watchtower, stretching over the floor and up the corner of the wall, All along the Watchtower, 2012, Nadia Kaabi-Linke

Flying Carpets

Metal rods, forming different sized squares, hanging from the ceiling by thin wires. Nadia Kaabi-Linke, Flying Carpets.

Untitled

A spiral with text on the ground, and a nest with barbwire and hair. Twp persons reading. Exhibition view of Tatort / Crime Scene exhibition by Nadia Kaabi-Linke in 2010.

Fatima

5 framed artworks depicting Fatimas hand in different material. The frames are individually lit by lamps resembling survaillance cameras. Nadia Kaabi-Linke, Fatima.

Under Standing Over Views

Colored wall pieces with paint hanging on white threads are casting shadows on the museum's wall. Nadia Kaabi-Linke, Under Standing Over Views.