We Didn’t Know We’re Ready

White and bright gallery space with industrial ceiling and various artworks. Nadia Kaabi-Linke We Didn’t Know We’re Ready

Ascending Cycles

Nadia Kaabi-Linke's Ascending Cycles Exhibtion, view from the street

Kaf w Kaaba Halwa or How to Meddle in Someone’s Life

A white, wooden gate, that was once the entrance to the Hotel Megara Gammarth, is now holding the poster about an exhibition. Nadia Kaabi-Linke Kaf w Kaaba Halwa, ONS

Disarmed Metaphysical Objects

In a room there are several black pedestals on which objects lie behind a glass display case. Nadia Kaabi-Linke Disarmed Metaphysical Objects

Lahmi (My Flesh)

Close up of a sculpture made of Steel, glass, lead, in the form of the main windows of the Tunisian parliament. The glass is broken from multiple bullets. Nadia Kaabi-Linke Lahmi

Seeing Without Light

Black squares hanging on the walls of an exhibition space, in the background, another room, with a big pink painting. Nadia Kaabi-Linke Seeing Without Light

MO_Schaufenster #34:
Nadia Kaabi-Linke

Nadia Kaabi-Linke, Das Kapital, 2020 (Detail)

Das Kapital—Epilogue

In an exhibition space a Detail of a cast iron gate is standing in between a pile of stones. Nadia Kaabi-Linke, Das Kapital – Epilogue.

A Matter of Resilience

Metal remains hang together with a thin red ribbon. Nadia Kaabi-Linke, Das Kapital – Epilogue.

Back to Back

Two benches covered with bird spikes memorializes a society that celebrates the fact that its reunification lasts longer than its separatio, Back to Back, 2020, Nadia Kaabi-Linke

Al Jins al-Latif / The Gentle Sex

Sculpture created from hundreds of sets of manicure and pedicure instruments. Nadia Kaabi-Linke, Al Jins al-Latif / The Gentle Sex.

Nervous Bench

View of an Exhibition space with a big canvas in the middle of the room hiding a big part of it behind it. In front of the canvas there is a black bench with a boy sitting on it and next to him a girl laying on its back, foots on the ground. Nadia Kaabi-Linke, Nervous Bench.

Sealed Time / Versiegelte Zeit

Visitors standing in between artworks in an exhibition space. A park bench covered with bird spikes, a crooked porcelain line on the ground and a big canvas on the wall. Nadia Kaabi-Linke, Versiegelte Zeit.

Haarrisse / Hairline Cracks

Haarrisse / Hairline Cracks, 2017, Detail of the work from Nadia Kaabi-Linke, inspired by Sigmar Polke, "Das Parfümbild", 1969/1972

Walk The Line

Nadia Kaabi-Linke, Walk The Line.

Everything I Always Wanted to Tell You

Two object frames showing squares and lines on paper hanging on a wall. Two object frames with paper hanging on a wall in a museum. Nadia Kaabi-Linke, Everything I Always Wanted to Tell You.

Impunities — London

The wall of an exhibition space. A row of glass squares sit on a white shelf. Nadia Kaabi-Linke Impunities – London

Berlin à fleur de peau

and graffiti, captured from Berlin’s subway and bus shelters, revealing hidden histories and tensions in urban spaces. Nadia Kaabi-Linke, Berlin à fleur de peau.