Galactic Jam

Abstract detail with black curves and lines on white canvas

We Didn’t Know We’re Ready

White and bright gallery space with industrial ceiling and various artworks. Nadia Kaabi-Linke We Didn’t Know We’re Ready

Phoenix

Nadia Kaabi-Linke Phoenix, Isolated installation view of a multiple canvasses painting with transfer prints of a damaged stone wall on a wall.

Ascending Cycles

Nadia Kaabi-Linke's Ascending Cycles Exhibtion, view from the street

Kaf w Kaaba Halwa or How to Meddle in Someone’s Life

A white, wooden gate, that was once the entrance to the Hotel Megara Gammarth, is now holding the poster about an exhibition. Nadia Kaabi-Linke Kaf w Kaaba Halwa, ONS

Seeing Without Light

Black squares hanging on the walls of an exhibition space, in the background, another room, with a big pink painting. Nadia Kaabi-Linke Seeing Without Light

Kula: Cuts

Exhibition view of a painting made with coal grains, Kula:Cuts, Hamburger Bahnhof, Berlin, 2023, Nadia Kaabi-Linke

MO_Schaufenster #34:
Nadia Kaabi-Linke

Nadia Kaabi-Linke, Das Kapital, 2020 (Detail)

Amina‘s Tears

Detail of glass windows with the shadow of a maschrabiyya pattern, framed by a dark wood. Nadia Kaabi-Linke, Amina's Tears.

E Pluribus Unum

Visitors of an exhibition standing in front of the depiction of a big arrow. Nadia Kaabi-Linke, E Pluribus Unum.

Mare Crisium

Close Up of an abstract painting, crackling brown structure made with coffee grounds on a white background. Nadia Kaabi-Linke, Mare Crisium.

A Matter of Resilience

Metal remains hang together with a thin red ribbon. Nadia Kaabi-Linke, Das Kapital – Epilogue.

Spic & Span in June and July

Three, different sized, canvases with graphit and paper foldings on canvas. Nadia Kaabi-Linke, Spic & Span.

Negative With Black Hair on White Ground

Close up of an abstract artwork featuring a dense network of white, thread-like lines against a black background, resembling tangled hair. Nadia Kaabi-Linke, Negative With Black Hair on White Ground.

Sealed Time / Versiegelte Zeit

Visitors standing in between artworks in an exhibition space. A park bench covered with bird spikes, a crooked porcelain line on the ground and a big canvas on the wall. Nadia Kaabi-Linke, Versiegelte Zeit.

Haarrisse / Hairline Cracks

Haarrisse / Hairline Cracks, 2017, Detail of the work from Nadia Kaabi-Linke, inspired by Sigmar Polke, "Das Parfümbild", 1969/1972

Kula: Common Fuel 

Abstract black and white artwork featuring textured swirls and shapes, displayed on a white wall / Kula:Cuts, Nadia Kaabi-Linke 2017

Santa Margarita

A big canvas covered by a transfer print with ink on paper and oil, depicting words scratched into wall, with washed out red color in the infinity form. Nadia Kaabi-Linke, Santa Margarita.

Kula: Turning Back

Drawing of lignite on paper on canvas. Nadia Kaabi-Linke, Kula: Turning Back.

Hai Khalil

Transfer prints of a hand-drawn grid on two canvasses. Nadia Kaabi-Linke, Hai Khalil.

Bonner Mythologien

Bonner Mythologien, 2017, Installation view at 'versiegelte Zeit/Sealed Time' Kunstmuseum Bonn, Nadia Kaabi-Linke

Kula: Black Dove

A pattern of lignite on paper on canvas. Nadia Kaabi-Linke, Kula: Black Dove.

Rialto

Detail of a canvas surface with a frottage pattern, taken from a wall with cracks and engraved names. Nadia Kaabi-Linke, Rialto.

Spic and Span in February

Detail abstract artworks featuring intricate black lines on a textured white background. Nadia Kaabi-Linke, Spic and Span.

Walk The Line

Nadia Kaabi-Linke, Walk The Line.

Stretched Perm

A line of curly hair on soft white paper background, creating an abstract, organic pattern. (Close Up) / Streched Perm, 2014, Nadia Kaabi-Linke, Detail View, Seeing Without Light in Hamburger Bahnhof, Berlin, Germany on August 27, 2023

Off the Wall

Installation view, off the Wall, 2008, a weathered Berlin façade with bullet-marked ornaments, symbolizing war's remnants and resilience amid change, transferred onto canvas by the artist Nadia Kaabi-Linke

The Altarpiece

Photo of Nadia Kaabi-Linke's painting The Altarpiece showing a man walking towards the canvasses with transfer prints of wall damages.

The Ball Variation

A circle made by injecting grey paint in some of the bubbles of a bubble wrap. / Hardballs, 2015, Nadia Kaabi-Linke

A Short Story of Salt and Sand

A detail of a painting shows the imprints of heavy weathering traces in black, beige, and yellow inks. Nadia Kaabi-Linke, A Short Story of Salt and Sand.

Sepulchre

Black squares hanging on the walls of an exhibition space, in the background, another room, with a big pink painting. Nadia Kaabi-Linke Seeing Without Light

Color of Time

Color of Time Sequence 2017. Exhibition view at 'Versiegelte Zeit/ Sealed Time', Kunstmuseum Bonn 2017, nadia Kasbi-Linke

Smell

Ministry of Tourism

Traces of wall cracks due to weathering on canvas. Detail of the painting "Ministry of Tourism," 2011, by Nadia Kaabi-Linke.

Rue El Azafine

A glass engraved with text, next to a canvas with transferred traced of a wall. Nadia Kaabi-Linke Rue El Azafine

Am Hegelplatz

Prints on canvas of marks left on historic significant site in Berlin, Am Hegelplatz, Nadia Kaabi Linke Hamburger Bahnhof - Nationalgalerie für Gegenwart, Berlin, 2023. Nadia Kaabi-Linke Seeing Without Light

Archive of Tunis Banalities

Art Installation on the wall consisting of many small canvases with prints of marks on walls in public spaces. Nadia Kaabi-Linke, Archive of Tunis Banalities.

These Goddamn Boys All Stealing

An abstract painting with stylized male genitalia in black and teal, pink, Close Up / These Goddamn Boys, 2008,Detail of the painting from Nadia Kaabi-Linke, These Goddamn Boys, 2008